3 April

Book Review: “Wave,” A Memoir Of Grief

by Jon Katz
Memoir Of Grief
Memoir Of Grief

If you wish to purchase this book, please consider buying it from Battenkill Books, where I work each week as Recommender-In-Chief. This project is in support of independent bookstores, very worthy of our consideration. You can call the store at 518-677-2515 or e-mail Connie Brooks at [email protected] or visit the store’s website. They take Paypal and ship anywhere in the world. A reminder that Maria and I will both sign any copies of “The Second Chance Dog: A Love Story,” coming out this November if it is ordered through Battenkill.

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Most of us  fear getting hurt or falling ill or losing someone we love. We rarely imagine a tragedy on the scale that befell Sonali Deraniyagala in December of 1984 when she and her family were vacationing in her native Sri Lanka with her husband, who was her college sweetheart at Cambridge,  her parents, her two sons, aged five and seven, and her best friend.

The book – a memoir – opens when her friend Orlantha, who was staying with them at Yala National Park, turned to her in her hotel and said of Deraniyagala’s marriage and life “what you guys have is a dream.” The next thing Orlantha said was “Oh my God, the sea’s coming in.”

She ran from the room with her husband and two boys. She rushed down the stairs and out of the hotel. She did not stop to warn her parents who were in the next room, she thought they must know and there was no time to save her boys.

She and her family jumped into a jeep that began to speed away. She looked up to see a look of horror on her husband Steven’s face and she turned to see a great wall of water bearing down on them, and that was the last she saw of her family before everything went back and cold and she was swept into the whirlwind. That is how this incredible story begins.

The waves she saw killed hundreds of thousands of people and swept away Deraniyagala’s parents, her husband, her two children and Orlantha. Only Deraniyagala, an economist living in London,  survived. She was found spinning around in circles and deranged in a swirl of mud after the water receded. “Wave” is the story of that horrible morning and of the years that followed it. That she had a wonderful marriage and loved her parents and children dearly – and lost them in an instant – is at the heart of this story.

The metaphor of the tsunami is mesmerizing and terrifying. The  idea of a giant wave coming out of the sea and swallowing up everything one lives in life in the midst of a wonderful vacation – it is hard to get anyone’s head around that.

This memoir is being hailed as a powerful masterpiece of grief and it is that for sure. I suppose, to be honest, the first question a reader might ask – the first question I asked – is why should I read an account of grief so much larger and more devastating than any of us are likely to encounter? I can’t say I have an answer to that. You’ll have to make up your own mind.

“Wave” (Knopf) is written in two parts. The first is simply about the devastation of grief and loss, recounted in a beautiful and shattering way. The second is about recalling happiness and remembrance, bringing her family back to life piece by piece in  her imagination and memory. Her account of sorrow is harrowing. She rages in fury, turns suicidal, goes mad and harasses a couple living in one of her parent’s houses in England. She becomes an alcoholic, turns almost feral, is protected and supported by determined friends and relatives. They saved her life, or what was left of it at the time. The second part of the book is lighter, less relentless, than the first.

The book spans a number of years in Deraniyagala’s life. At some point, she struggles to live, begins to heal. She begins to permit herself to remember the lives of her parents, her boys, her husband. She recalls their hobbies, clothes, games, funny ways of saying things, the details of their lives together:

“On quieter days we cooked duck eggs, ate them with crumpets,” she writes. “The boys were impressed with duck eggs. They cupped them in their arms to feel the weight, then tapped the hard shell. Vik would pretend to spin bowl with , enjoying my agitation as he twisted his fingers around it and lurched forward, raising  his arm. He eventually put the egg down, saying “Calm down, calm down” – in a strange accent (meant to be Liverpudlian). This was something he learned from his father, Regular life, so I thought.”

There is grief and there is grief. Deraniyagala had no chance to imagine what happened to her, no chance to prepare or even think of saying goodbye. She painstakingly goes back over the details of her shattered life to reach some sort of closure and make some sense of the unthinkable. We will all face grief in our lives, we will all lose a love one, and this book could be valuable in understanding grief, preparing for it and grasping its depth and power.

As praised and publicized as this quite remarkable book has been, it is a very personal choice about whether or not you want to read it. I have to say I was afraid of it, was touched by the wonderful writing and Deraniyagala’s great courage and heart. And the thing is, she did survive, she did get through it. She is currently a visiting research scholar at Columbia University in New York. Ultimately “Wave” is not only a story of grief, but of a grief survivor. It is not a book for everybody, but the people who want to read it or need to read it will know if it is for them. You will not forget it quickly.

This isn’t a simple book, told in a familiar narrative way. Every page is intense. It is beautiful, I think, but not ever easy to read. The word that comes to mind for me after reading “Wave” is redemption. She redeems her family and friend, pulling them out of the great abyss and willing them back to life, if only to say goodbye.

 

 

3 April

Shooting Strut: Last Photo Of A Good Rooster

by Jon Katz
A Good Rooster
A Good Rooster

I took this photo of Strut a few minutes before he attacked Maria, charging her again and again and drawing a bit of blood from one of her legs. It was not a serious wound, but it was the fourth or fifth time Strut had gone after Maria or me, and the attacks were increasing in frequency and getting more serious. If I have a non-negotiable line about animals in my mind, it is that I will not have an animal on the farm that harms people, or that is aggressive to other animals. This came very much to the fore some years ago when my border collie Orson attacked three people, one of them severely, drawing blood in the neck. I chose to euthanize him, and I wrote the book “A Good Dog” about Orson, and many people were deeply angered or troubled by my decision. That is not a factor for me.

As roosters get older, they often turn aggressive. This was not a difficult decision for me. As with Orson, I could no longer tell anyone who was attacked that I didn’t know it might happen. Some people can live with animals who hurt people or other animals, and that is their business. I can’t.  Too many people come through the farm, lots of them children, and I do not believe in giving animals who hurt people away because I know they will almost certainly do it again. Strut was a great rooster, dutiful, protective of the hens, proud and photogenic. I have to say when I photograph an animal (or person) as often as I have photographed Strut, I get attached to them in a particular way. When I saw the scratches Maria’s leg, I saw that I was back in the real world of real animals, where I am often drawn in my life with them. We do not live in a no-kill world here. The farm is the Mother and always comes first.

I was somewhat spoiled by my first rooster Winston, a dignified gentleman who loved to hang around with me and the dogs. The next three were not like him. I thought Strut was such a rooster until the last few weeks. I am grateful for his love of my camera, and his unfailing duty to the chickens. He was always guarding them and keeping an eye out for danger. I imagine he got it into his head somehow that Maria and I were roosters or some creatures he needed to protect the hens from. We will never know.

When I saw the blood on Maria’s leg,  I went into the house, got the .22 rifle, went out into the pasture where Strut was marching with his hens.  I shot him twice through the heart and once in the head and he died quickly and without struggle. Maria took him out to the woods, and found a chewed-up deer leg and left him, an offering to the wild, a better use of his body than going into the trash. The way he stood with the chickens always seemed to symbolize family to me, in the best sense. But of course, that is my projection. A rooster is a rooster.

Killing a rooster is not a big deal, nor did I think it was. But he had done nothing intentionally wrong, he was just doing what many roosters do. It makes me sad to kill so beautiful a creature, and I think every time you do violence to something, you also do it to yourself. And I will miss the sound of his crowing. But we live on the boundary between the world of pets and the world of animals, and being here is a reminder not to get too comfortable. It means getting pulled back and forth.

3 April

Chickens At The Feeder

by Jon Katz
At The Feeder
At The Feeder

I visited Maria in her studio this morning, she is working on a delightful potholder series, “Chickens At The Feeder,” a potholder portrait of our hens pecking at the Bird Feeder outside of her window. I think this is a winner. Check it out on her website. For some reason, she seemed anxious that I would put it up a photo before she did. How curious.

3 April

Garden Taking Over My Office

by Jon Katz
Garden Taking Over
Garden Taking Over

I am planning my new garden with great care, but I have to say it is taking over the living room and my office. We have about five trays of flowers – I have no idea, really, what, other than that there are sunflowers, zinnias and wildflowers. We had to go to Bedlam Farm to get a dozen plastic pots to handle the booming and growing plants which are now all over the place, displacing my papers and files on the table in my study.

We can’t plant them outside for at least another month and by that time, the farmhouse may look like Columbia. Be careful what you wish for. I told you I was an obsessive waterer.

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