6 June

Workshop: The Mansion Story Project. Saving The Stories Of Their Lives

by Jon Katz
The Mansion Story Project

I was startled and pleased by the crowd that turned out for my Story-Telling workshop at the Mansion Assisted Care facility in my town of Cambridge New York this afternoon, on this wet and cold day. Every seat in the Activity Room was full, it was one of my most meaningful and powerful teaching experiences.

I told the residents their stories were important, living in an assisted care facility, they sometimes told me they felt that no one cared about their stories, that they would vanish along with them, that they were not important.

I told them that are stories are of profound importance, they are who we are, who we have been, what our time in this world was about. I talked about story structure – many took notes, about the elements of a story: the beginning, the middle and the end.

The stories should tell us who they are and should be recorded, passed along, never lost or forgotten.

I felt the strongest connection with these people, some of whom struggle painfully to remember their stories while they can, all the more reason, I said to write them down. Almost everyone had a story idea that I loved and that touched me. They looked almost pleadingly for help.

They asked questions, took notes, dug deep back into their lives, some lost in thought.

Jane wrote about a huge turtle she found when she was eight, and how much she wanted to bring him home, but her parents wouldn’t permit it. She still thinks about that turtle. Mary wants to do a  story called “Yesterday’s Memories,” in which she thinks about her parents, who she loved very much and misses. She talks to them every day, I suggested that she tell us about the conversations.

Peggie is writing about “My Husband,” who died nearly a decade ago. She talks to him every day, she said, he laughs with her and scolds her sometimes, and she wants to write about the things they dig together.  Brother Peter, who was not permitted to have a dog when he was young because of his animals, wants to wrote about “Tollie” a German Shepherd he loved while living at the New Skete Monastery, where he was  a monk for 50 years, and where they breed German Shepherds.

His story about Tollie and her life was powerful.

Barb wants to write “Alaska,” a story about her trip into the wilderness, and the blue ice she saw and will never forget. Tim wants to write “Delmar Plaza,” a story about a New Jersey shopping mall that has changed dramatically in recent years, he once lived nearby. Jean  has a wonderful story to tell called “Ironing,” but she was too embarrassed to tell it out loud, and she said she wasn’t sure she can remember it all, but several other residents said they heard it several times and loved it and would help her write it.

Joan, who has severe memory challenges, said she wanted to write about the time she was lost in the Adirondacks with her boyfriend. We all offered to help her remember it. Ben, who learned how to fly when he was 18, wants to write about his love of flying, and his father’s life as a pilot also.

“I just can’t,  said Alice, “I just can’t remember.” I was not sure what to say. We’ll try again, I promised. I sensed a story was close to the surface.

I was very excited to hear their stories, they were rich and full of life and feeling. They should not be forgotten. By the end of the workshop Peggie, whose unbridled love of life is quite infectious, had already written out two strong pages.  The story of her life with her husband just came pouring out of her. She talks with him every day.

We take our memory and our clarity and our stories for granted sometimes, but at the Mansion, none of these things are taken for granted. We all pledged to help one another. For the next month, I will go to the Mansion every Friday morning to help the residents put their stories together and salvage their memory and their stories before they are lost. (Connie, who meant to attend, had a painful back spasm on Monday, she can barely move.  I’ll talk to her about her story later. She is also recovering from an eye infection. Letters to her would be welcome, you can write her at The Mansion, 11 S.Union Street, Cambridge, N.Y., 12816. She treasures your letters to her and could use them now. She reads us every one. “I get in trouble just sitting here,” she joked.)

I nearly cried over their gratitude and openness, and am grateful for the change to salvage these stories and share them with the world. And it will happen, for sure.

At the end of June, we will collect and type up the stories and there will be a reading at the Mansion, open to the town and the public and their families.

At the end of the month, the staff – Julie and Gail – and I will polish up the stories, and then type them up. I know a printer in our town who will print them as a paperback book, we will also gather some illustrations from the Mansion Art Show last month. I will make sure they are printed – Connie Brooks at Battenkill Books will sell them there.

We can pay for an outing somewhere for the Mansion story tellers.

Stories are sacred to me, they are my life too. This workshop felt so important to me, their hunger to tell their stories was  gripping, and rare. Even among my wonderful students, I sometimes have to pry and prod for their stories, but here, they were all on fire to tell them, they just need some help and encouragement.

(I will not need any financial support for this project, thanks, there is no cost that is measurable in money, and we have the supplies we need.)

They will get both the help and encouragement they need. Before the end of the summer, we will have a neat little book called “The Mansion: Stories From The Edge Of Life.”

6 June

Portrait: The Farmer And The Tin Man. Who Has A Heart?

by Jon Katz
The Tin Man Has A Heart

Art is complex and interesting. Ed Gulley has always loved the Tin Man most, of all the characters in the Wizard Of Oz. The Tin Man wanted to have a heart, and Ed Gulley is bursting with heart. He can be a gruff man in many ways, and he has a wicked sense of humor. I much value our friendship.

Ed, like me,  was not raised in a family where anybody dared to show much emotion, but his commotion is evident in his work.

I think creativity is an affirmation of the heart, and I wanted to catch Ed and his creation in the rain. What you write, paint, sew or sculpt says a lot about who you are. Ed has a lot of heart. The Open House begins Saturday. Details here.

The Artist And His Heart
6 June

The Flower Sculpture

by Jon Katz
Flowers

Ed’s imagination is on fire, he made a sculpture he calls the Flower, for the house or garden, and he made the flowers out of tractor and engine parts and stuff the tractor unearthed. It is a strikingly original and he is asking $65 for it (if you can’t come and want it,  or if you are coming and want to reserve it, you can e-mail [email protected]).

We unloaded Ed’s artworks in a driving rain, and that gave it a sort of antique hue, I thought. This one would go in my house. Might yet. I like the Little Red Riding Hood effect also.

6 June

The Tin Man: Official Symbol Of The Bedlam Farm Open House, 2017

by Jon Katz

Tin Man, With Dog. Dog Is Not For Sale

Ed Gulley has always loved the Tin Man, one of the beloved characters from the Wizard Of Oz. His wife Carol, does a great impression of the evil witch, which Ed says he enjoys.

So he worked long and lovingly on his own idea of the Tin Man, which he brought over to the farm today, and which is being offered for sale at the Open House, which begins on Saturday. Ed is asking $750 for the Tin Man, he can live indoors or outdoors, he is hardly and made of 100 per cent pure industrial farm parts.

The Open House is gaining momentum.  A van of residents from the Mansion is coming, so is the RISSE soccer team – a/k/a The Bedlam Farm Warriors, and some of the player will even sing for us.

Ed Gulley came over in the pouring rain to put the Tin Man into the ground.  This is a great creative leap for Ed, his junk/farm/industrial art is deepening, this a big step.

The Tin Man is a labor of love and art by Ed Gulley, he has been working on him in his spare time for weeks, and Ed, a busy dairy farmer, doesn’t get much free time. Every part comes from farm equipment or things that come up out of the earth, or are liberated by tractors. This one show great heart and imagination.

It is authentic farm or junk art, as Maria calls it, about as real as one can get.

Ed is an artist, and his work at the Open Houses have drawn a lot of attention, he is selling a fair number of his sculptures and wind chimes. I will be interested to see if he sells the Tin Man – his other pieces are much less expensive. But he is right to charge $750, Maria and I both encouraged him to do it, if he doesn’t value his own work, no one will.

And if this piece were being sold in New York City, it would be for thousands, not hundreds of dollars. Good for Ed. And how neat for the Open House to have such a creative Tin Man and his dog greeting the visitors next weekend. (The dog is not for sale.)

6 June

Take Our Country Back: Send One Dollar To RISSE

by Jon Katz
Send a dollar of love to the refugees and immigrants

Two days ago, I launched my own personal crusade, hopefully in sync with the Army Of Good. I sent $1 to RISSE, the refugee and immigrant support center based in Albany, N.Y.

My idea was to let them know we welcome them, trust them and will support them as they continue their very painful and difficult journey to a new life in America.

I want the refugees and immigrants to know that what they are seeing on the news and hearing about is not the real America, the true America is kind, generous and open. More than any other nation in the history of the world, we have invited all kinds of people from all kinds of places to come her and join the American experience.

I haven’t heard from RISSE today, but I believe this idea is growing and is successful, I hope the staff and people at RISSE get our message as well as the others coming at them from some frightened people in our country. Virtue is, in fact, its own reward, doing good is good for me. Hopefully, for you as well. And it couldn’t be much cheaper.

We are a brilliant and beautiful melting pot, one reason why America is so great. If you would like to send the RISSE immigrants and refugees – they are all here legally and I love them dearly – you can do so here, and thanks. We don’t need to join the awful fray or belittle people who disagree with us.

We can face our future with heads up and hearts wide open. These $1 messages mean the world to the refugees and immigrants recently arrived in America. Last year at this time, RISSE offices were set afire and destroyed. I hope to send them a different message in 2017, the voices of the real America.

You can send a dollar to RISSE here.

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