5 October

The Open House Is Our Holiday, Our Faith

by Jon Katz
The Open House

I think, at the core, that the Open Houses we host are about friendship and love. It was very difficult for me to agree to open up my life to strangers – more than 1,500 people came the first time.

The Open Houses are smaller now, more intimate, quieter, as is appropriate. A lot of people come, but there is nothing  frantic about them. I realized after a while – Maria agrees – that the Open Houses are our holiday, our faith. We celebrate creativity, independence, and encouragement.

I have also come to see that the Open Houses – this weekend, ll to 4 – are about something else, friendship and love. For the most part, the people who come are not strangers at all, but friends. They come in love and friendship.

When I really believed that I could be loved – Maria showed me this – then I was finally able to permit my friends the freedom and respect to respond to love in their own way, even if it is sometimes different from mine.

They have their own histories, emotions, values, their own characters. But they come to show us their love for us, our farm, our animals, and our faith in self-awareness.

My ability to respond corresponds almost precisely with my own belief in my goodness, a wildly fluctuating belief over the years.

When I can give freely and spontaneously – I am learning to do that – then I can receive freely and spontaneously.

We have been astonished over these years to see how much our lives mean to others, this is a hard thing to accept and believe.

But The Open Houses have  become our sacred holiday, our celebration of us, and one reason that is so is that we allow our friends the freedom and courtesy to respond to us as they want and are able to do.

This is what we worship, this is what we believe in.

That is the foundation of learning how to feel true gratitude, and we are nothing but grateful for our Open Houses and the people who come to share our holiday with us.

This weekend, I will share my life and Maria will share hers, and we will share our lives together. We will share Mary Kellogg’s final volume of poetry, my herding with the dogs, our donkeys, and a long list of gifted artists who represent the art of rural life.

And Maria’s Belly Dancing Group will be here Sunday at 1 p.m. On Saturday at 1 p.m., Liz Lewis, who has been shearing sheep since she was 8, will come her to shear ours. Poetry readings both afternoons, and I will gas on briefly about my work and life.

Maria will be having a wondrous time hold  up in her very beloved Schoolhouse Studio selling wonderful art at very affordable prices.

4 October

The Open House: It Began As An Idea, A Revolution

by Jon Katz
The Open House: An Idea

This weekend, our Open House, again. Our eighth.

I first thought about an Open House eight years ago, I was in a very different place than I am now in so many ways. I was somewhat famous then, books had a different place in the world than now.

I had a different place in the world than now.

I was a best selling author, and TV crews often came to the first Bedlam Farm, a much grander and more dramatic farm, almost a movie set. it was a beautiful setting, but a loveless life, a lonely life, and broken life.

I went on lavish book tours, spoke to large crowds of people, famous Hollywood producers came by to meet me, they wanted to tell me about their dogs, they invited me to their mansions.

They were fascinated by my move to the country, my escape from my ordinary life. They thought I was a dog whisperer who could tell them the secrets of their Labs and Newfoundlands.

They were invariably disappointed, I was not what they were looking for, and they looked elsewhere, as rich people can do.

Maria and I had just come off of a horrendous couple of years, we clung to one another like shipwrecked people bobbing on the ocean in one storm after another waiting for rescue.

When the mask I was wearing cracked, I lost faith in it, and I regressed into the darkest parts of my psyche. Campbell called it a wasteland situation, my life had become a wasteland and I was dying in pieces every day.

Joseph Campbell was still wildly popular then, and one of his books, Pathways To Bliss, became a kind of bible to me, made me see that I was on a Hero Journey, not just a trip to the country, or a mid-life crisis, the term used to put down men who wish to change.

I began to understand that I was gripped by a calling.

Mythology begins where madness starts,” he wrote in Pathways. “A person who is truly gripped by a calling, by a dedication, by a belief, by a zeal, will sacrifice his security, will sacrifice even his life, will sacrifice personal relationships, will sacrifice prestige, and will think nothing of personal development; he will give himself entirely to his myth. Christ gives you he clue when he says, “He that loseth his life for my sake shall find it.”

I did sacrifice all of those things, and while that sometimes frightens me, I take full responsibility for it, and would do it again in a moment. So would Maria. Every year, in the days before our Open House – this Saturday and Sunday, 11 to 4 – I try to stop and remember the idea of the Open House, to be faithful to it.

Maria and i found love in one another, we share our calling.

We live creative lives, we live for encouragement, for ourselves and others, we live to share what we know and understand and what we do not know and understand. To work only for money is just another kind of slavery, and we have freed ourselves from that awful bondage.

We did all of this together, we share a closeness what was once unimaginable to me.

The idea  was to celebrate our reborn lives together, and open them up to the people who share them with us. Part of that idea was to honor the art of rural life, the creativity we see all around us,  and to celebrate Maria’s miraculous resurrection as an artist, a calling that had been lost to her, but then been found.

We both survived our Hero Journey’s, we traveled through dark and unfamiliar places, we lived to return to the ordinary world. On that journey, we awakened. We answered the Call to Adventure.

There was an a wakening of the self to an  unknown, unexpected world. The hero, wrote Campbell, becomes aware of a new, unusual, exciting, forbidden and foreign world, previously closed off from us.

That’s what the Open Houses were really about, we had survived and returned to the ordinary world. We wanted to rejoin our world, we had come out of the darkness.

We also sought to acknowledge the importance of our lives with animals, to share our wonder and love for them. I sometimes have lost sight of these ideas, but I always come back to them, and find them again.

These ideas remain the core of the Open House. Poetry readings, gifted artists showing and selling their work, sheepherding, Belly Dancing, donkey tours, meeting Bud and Red and Fate, Lulu and Fanny.

We honor our own personal revolution.

So the hero outgrows his old world. The old concepts, ideals and emotional patterns no longer fit, no longer make sense. The time for passing the threshold has come.

Revolution,  wrote Campbell, doesn’t have to do with smashing something, it has to do with bringing something forth.  You have only to find the zeal in yourself and bring that out.

This is what we have done, this is what we have called our brothers and sisters in this world to celebrate with us this weekend. Saturday and Sunday, 11 to 4.

28 September

Sarge, Still Working. Manure For The Open House?

by Jon Katz
Sarge, Still Working

Sarge is a tough old Army Truck from the Vietnam War, he lives on Pompanuck Farm, he belongs to my friend Scott Carrino. He comes her once a year, when it’s time to dispose of our pungent but valuable donkey manure pile.

We give a lot of it to our friends, we use it in our own gardens – it is amazing – and Scott takes a truckload for the Pompanuck Farm gardens. There is no charge.

We let Scott know when Vince is coming to work on the gravel with his tractor, and Scott or his helper Wally drive it out to the farm and leave it near the pile.

When Vince is done leveling the Pole Barn, he drops most of the manure into Sarge, and then Scott comes and picks it up. It goes into the very beautiful Pompanuck Gardens.

We’re thinking of selling bags of our manure ($10) at the Open House, both as a souvenir and something useful for gardeners. We sell the mature manure, it’s the stuff close to the grown, powdery and easy to spread. Something new.

23 September

Belly Dancing At The Open House

by Jon Katz
Belly Dancing At The Open House

My brave and beautiful wife is working hard to become a belly dancer, something that is surprising in some ways, but not in  others. This is who Maria really is, the spirit that has always lived inside of her.

It is so natural and joyous for her the wonder is that she just started doing it a year or so ago.

The Belly Dancing is not, in my mind, something different, it is really her, it is what she is about. Belly Dancing is not about pleasing men or arousing them. It is a beautiful affirmation of identity and self among the women who do it.

They are saying, quite simply, this is who I am, and who I am is beautiful. Period.

Maria’s Belly Dancing groups is coming to our October Open House (they will be here at 1 p.m. on October 7). In this year of all years, this is the right dance for all of us.

Audio: Belly Dancing At The Open House

23 September

Reflections On Our Open House, Oct. 6-7.

by Jon Katz
Ready For The Open House

We are just two weeks away from our 8th Bedlam Farm Open House, and it is jarring to reflect on how our lives have changed since the first Open House, and how the Open Houses have themselves changed.

The first one drew 1,500 and we had to hire a security detail to handle the crowds. It felt out of control. I think I was somewhat famous then, and Maria had just launched her career as a fiber artist and curator.

Our idea was to celebrate her art, and the art of rural life, and the deep well of creativity we felt and saw all around us.

Today, the Open Houses are different.

Our farm is smaller, and we could not handle 1,500 Usually, we get between six and seven hundred people. We have retained the focus of the Open House – a celebration of our own lives and creativity, a chance to share the farm and our animals with people who love both, and an opportunity to draw from gifted local artists, spinners, poets, shearers and farriers.

It is a hard thing for us, weeks of work, and everyone is special and has a different tone. Maria works like a demon selling art in her studio, and my role is mostly to greet people, herd sheep with Red and Fate, give a talk or two, and introduce the poets and speakers.

Some new and special things this year:

Bud will be spending his first week on the farm and will get a somewhat shocking introduction to life here. I hope to use Bud as a therapy dog at the Mansion and elsewhere, the Open  House will give me a chance to get a good look at his temperament and social skills.

I don’t want to stress him – he has been through a great deal – but I’m excited to introduce him to people on Saturday and Sunday (Columbus Day Weekend, October 6 and 7th, ll to 4 p.m.)

Mary Kellogg is publishing her fourth volume of poetry, This Is My Life. She hopes to be present, but has asked me to read from her book. I am thrilled to do so. In addition, there will be poetry readings from Jackie Thorne, Carol Gulley, and Amy Herring. The very gifted Vermont artist Rachel Barlow will do an oil painting and everyone can see the process and ask questions.

Sadly, Ed Gully, the farmer, folk artist and friend who became such an important part of our Open Houses in recent years, won’t be here, he died more than a month ago. Some of his art will be here, it is scattered all over our farm. His wife Carol will be helping Maria in her studio and also reading a poem or two.

Maria’s Belly Dancing Group, The Sisters Of The Shawl, will dance Sunday at 1 p.m. I am so impressed with these dancers, they do not dance to entertain or arouse men, they dance to affirm their own pride and identity. It is quite amazing to see them.

Maria has assembled a remarkable group of eight artists – paintings, pincushions, pottery, jewelry, sketches, scarves, among other things, their work will be displayed and sold in the Schoolhouse Studio, the 1801 Schoolhouse moved to our farm many years ago and converted into a studio for Maria.

In addition, there will be sheep shearing by Liz Lewis on Saturday,  sheep herding several times a day both days.

It is more intimate and much less chaotic than the first one, and we are grateful for that. It is a coming together that is warm and uplifting. I will be talking about my next book, Gus And Bud, to be published next year by Simon & Schuster.

You can follow events for the Open House here.

I visited with the sheep today, they are now hanging out in the cooler weather by the side of the Pole Barn, where they are shaded from the sun, but still in the cooler open air. Maria will gather the wool shorn at the Open House and take it to a Vermont knitting mill.  It will be dyed (some of it) and sold as Bedlam Farm Yarn.

It is fitting that Bud is arriving just before our Open House (if he passes all of his tests). That seems right.

If you can, come and join us for our celebration of the art and creativity of rural life.

Bedlam Farm