21 June

Goddess Art Show: Coming Together

by Jon Katz
Goddess Art Show

The last Pig Barn Art Gallery Show (in this farm), “Anointing The Goddess” is almost up, courtesy of Maria and Diane Swanson, an artist, friend and the former gallery director of LARAC, the Lower Adirondack Regional Arts Center in Glens Falls. The two have been holed up in the Pig Barn since 8:30 a.m. and it is hot in there. The weather for the weekend is great – cool and dry. I was dazzled seeing the great art going up from six gifted artists, all relating to “Goddess” themes. Painting, 3-D Collage, Photo Collage, fiberworks, photography, notecards and pencil sketches.

The prices are affordable, and there are lots of smaller things to buy – potholders, notecards, sketches.

The show will be held from 11 to 4 p.m. Saturday and Sunday at Bedlam Farm. Food and rest facilities will be available at nearby Gardenworks. No dogs please. I hope to do several herding demos with Red, aswe are moving along much faster than I thought. The show is very exciting, an intensely creative vision pulled together by Maria, who loves curating and seems so comfortable with it.

Connie Brooks of Battenkill Books will be here from 11 a.m. to 1 p.m. to sell copies of my books, which I will sign. Mary Muncil, who married us and has been my very beloved spiritual counselor, will also be here, and Mary Kellogg will read some new poems. Red, Lenore and Frieda will be around, and Simon, Lulu and Fanny as well.

It is a farewell, but an odd one. We haven’t sold the farm yet, and haven’t closed on the new one yet. But I have no doubt it will all come together. Feels very right. I am not gloomy about leaving this beautiful place, I am excited to move forward to the next thing. We love our new home and are counting the days until we get in there. We love this one, too, how lucky. I see this as a celebration of Bedlam Farm. A lot of life has happened to me here.

Details for the show are on Maria’s website.

21 June

Creative Disempowerment: What’s Wrong With You?

by Jon Katz
Creative Dismemberment

Tonight is the second meeting of the Hubbard Hall Writer’s Workshop and Red is coming along. His first  outing as a media whore dog, very important work on my farm, right up there with sheep. He’s going to be a rock star. I have a wonderful group of writers in the workshop and have been talking to them about their blogs, writing ambitions and insecurities.

I have come to believe in my life that much of our culture spends a great deal of time telling us what is wrong with us. Creative classes – writing and art come to my mind – often seem to me to be to be about disempowerment rather than empowerment or encouragement. One of my students was told by a writing instructor that she had to choose between being an animator or a writer. She couldn’t do both, she was told, so she did neither.

Another saw her work chewed up at a writer’s weekend and left traumatized and discouraged. An awful choice to have to make, I thought. She called herself a “wannabee” writer, a term she won’t bring to my class.

I see creatively disempowered people all the time. They fear blogs. They can’t show their work to anyone. They are worried about opening up their hearts and loves. They are told all the time that creative lives are difficult, impoverished, for the very few and special, that a real writer removes himself from the world and has food brought to their rooms. I don’t think so.  We have amazing new tools with which to express ourselves – bless you, Steve Apple, for giving me mine – and all we need is a push, I think, to use them.

Almost all of them speak of being frightened to write, wary of showing their work. I don’t care for people who take money to discourage other people. So I don’t charge for teaching the work shop. I think many creative communities – photography, writing and art come to mind – have always been dominated by elites who teach the drama of creativity, almost as a martyr’s vocation. Their work is so complex and difficult, and so few people can do it. and it  requires a special neural system and vision of the world that most people come to believe it is presumptuous of them to even think of themselves as creative. I am so grateful that Gabriel Garcia Marque didn’t take a writing class so that he could have been told that parrots don’t speak and his writing was too metaphorical. Hemingway got it right I think. Writers and artists should write and make art, he said, and shut up about their agonizing lives.

I see writing – photography, art, too – as a compendium of many voices, each struggling to make sense of their world. Some make more money than others, but that doesn’t mean they are better than others. The grand poobahs of creativity hate the Internet because it allows everybody – eek! – a platform for creativity. They know that sooner or later, these people will find out that nobody outside of themselves has creative answers for them. It is an internal process, and they will ultimately do better sitting on a tree stump and closing their eyes for an hour than spending all their hard-earned money asking strangers what they ought to feel and do.

For me, the point is clear. To encourage people who want to be creative. To help them to see what they are doing right, not wrong. Anybody who wants to be a writer and an artist is one, the very second they choose to be. I remember an editor calling me up when I put my first photograph on the blog. “Why are you wasting your time with photography,?” he said. “You’re a writer, not a photographer. Your photos look like cheap Hallmark Cards.”

And then I remember asking Maria what she thought of my photos, and she just laughed. “They are all good, silly. Because you took them.”

21 June

The Call To Life

by Jon Katz
The Call To Life

In the pasture, as the run rose, I wondered about the life that brought me here, and I watched this brave and determined dog do his work, faithfully, with such determination. This is the call to life, I thought, where we came from, where animals can bring us. This is the point, to step out of our lives and seek fulfillment.

Here, I saw, Red is telling his story. This is the call to life, one of the most powerful and ancient rituals, the dance of man and dogs. And in my time, a reminder to never be mired in a fearful and loveless life. Come out, come out. Open up, open up.

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