26 October

Orson’s Last Gift

by Jon Katz
Orson's Last Gift
Orson’s Last Gift

Orson gave me many gifts. He brought me to sheepherding, one of the joyful things in my life. He brought me to border collies, dogs that have entered my life and changed it more than once, brought me Izzy, Rose, Red, Fate.

He began a process that led me to to leave my life behind and move to a farm in Upstate New York. He led me to my life with animals, the one I write about, the one I live. He brought me to a mystical understanding of dogs and their impact on human beings. A shaman took me to see him in his afterlife, he still looks down on me, she said, he needed to leave this world, he dwells in a land of blue lights by a crystal clear creek, meadows to the horizon.

But there was one gift that I only recently came to understood, and it might have been the biggest gift of all. Orson taught me to stand in my truth, to answer to myself. He taught me that it did not matter what others think of what I did and do. What mattered is what I think of what I do. It was the first time in my life I understood what it meant to be honest, to be authentic.

I believe that was his purpose, his message for me. To tell me to never be afraid of being honest, even if there are those who might punish you for it.

That’s a big gift. In 2004, I euthanized Orson after he bit and injured several people, one seriously. I wrote a book about it called “A Good Dog,” published in 2006. It remains my favorite book. It is my all-time best selling book, my most critically acclaimed book and my most disliked and controversial book.

The book was my first serious encounter with what the animal rights movement was beginning to become, a kind of rolling hate militia that claimed to speak for the rights of animals but did not always believe in the rights of the people who owned them. Various animal rights groups launched a systematic attack on the book – you can see the reviews on Amazon for yourself, and they continue to this day, although there are many bigger targets than me.

I admit to being naive, I was shocked to see people lie about me with so much abandon. I was amazed that there were all these people out there who actually believed they loved Orson more than I did. People who never met him or me or spoke with me but who claimed to understand my every move and motive and who did not hesitate to invent what they did not know to be true.

How could I possibly have known then – I was still taking valium every night so that I could push the terror back and sleep – that every hateful message, every raging review on Amazon was a gift that would teach me something, reinforce something, make me stronger and clearer. How could any rational person see it as a gift?

I must confess – and I’m not speaking politically, that this feeling returned to me as I watched Hilary Clinton try to explain to people who did not care to listen that she also cared about the dead people in  her care, no matter what her mistakes were or were not. And it turned out to be a gift! How strange that I knew what it felt like to be the target of that kind of raging and mindless condemnation.  Thousands of messages, from everywhere, for years. The movement I had supported and worked for for so long – the animal rights movement – had disgraced itself in my eyes when Orson died, and I guess it was personal, no longer abstract. What they had done to other people they were now doing to me.

When I saw the carriage trade in New York being attacked in the same dishonest and irrational way, I could not help joining the fray. The roots of that writing was Orson, so I suppose that was another gift.

I wonder if Orson led me to the story of Joshua Rockwood as well. I know what it means to be accused of things you did not do. One website went up after that stated again and again that I routinely took my dogs out to the barn and shot them.  Scores of people came onto the site to post messages about how horrible I was to do that. They said I was too cheap to help Orson, too cold to care about him, too lazy to find a better end for him.

Not one of them ever contacted me to ask what happened, or if any of it was true. None of them would read my book, they tried to launch a national boycott of it.

Not one person ever wrote me to ask about the people he bit and injured, including the child who Orson bit on the neck and whose blood flowed so freely down his light gray sweatshirt and onto the road.

The experience with Orson was prescient, it foreshadowed the culture of judgment, righteousness and hatred that came to inflect not only the animal rights movement but the very civic heart of the country, our political system. So many people have experienced this, even if in fleeting or passing ways. For me, it  was like spotting a dread disease as it began to spread and infect one institution after another, the march of the self-appointed centurions of righteousness, always preaching love, often spreading hatred.

As a long-time book writer who worked quietly and in peace, this kind of mob was alien to me. At first I tried to answer the attacks, then I came to understand I was only feeding them. They didn’t care what I thought or said, they were not in the least interested in what was true. The irony – this is America after all – was that all of the hatred and controversy boosted the book and made it popular. Americans love controversy, “A Good Dog” was and is my best-selling and most popular book. I get messages thanking me for it every single day.

I get hateful messages too, although the targets of outrage addicts are boundless, they only multiply and I have become a small fish. I remember wondering about this idea of personal responsibility, once so large in America, where people were free to make the best possible decisions in their own life. Had we given what away too, along with civility and privacy?

But I love this book, and I loved writing it and telling the story of Orson. It is, in some ways, the very story of life. And yes, he ended up being exploited in many different ways.

I did know that some people would hate me for writing it, but I didn’t hate me. In fact, it began the process of learning to love myself and to not judge others.  Killing Orson was the most ethical and loving thing I ever did. It was, as one magazine reviewer wrote, an “act of the purest love.”

Some dogs just keep on giving to us, even after they are gone. Orson was one of those. I think it might have been the very first time in my life that I was completely honest, and brave enough to tell a painful story truthfully to a sometimes hostile world.  Everyone in my world told me not to write this book, not to publish it. It was such a good thing for me to do.

I remember reading the moral philosopher Hannah Arendt before and after I decided to have Orson killed. Morality, she wrote, concerns the individual in his singularity.  The criterion of right and wrong, the answer to the question, what ought I to do? depends in the last analysis neither on habits and customs, on the opinions of others, but on what I decide with regard to myself. “In other words, I cannot do certain things, because having done them I shall no longer be able to live with myself.” Crime and the criminal confront us with the perplexity of evil, wrote Arendt, but only the hypocrite is rotten to the core.

And the people who spew so much hatred while profess to love animals are nothing if not hypocrites, and sadly, for animals and for people, their movement is in peril, rotting from the center, it has become a cancer. It does little good for animals and much harm for people.

I had no trouble living with myself after Orson died, I had only to think of that boy, terrified and sobbing, his blood rushing over the ground. No one – not a single person, animal lover or otherwise, not a single one of the people who called me a heartless murderer, has ever asked me how he has fared, how he is, or expressed the slightest concern over him or the other people Orson harmed.

And another irony, here he is, living in my town, I see him all the time, he is quite grown up now, he loves his Lab, He still has his scar.

I remember meeting Maria around the time “A Good Dog” came out. She told me that she could not believe I wrote a book about euthanizing Orson, she said she wondered many times if I had any idea what I would be in for. She says she thought it was very brave. I have to say I didn’t really think of it as brave, nor did I quite know what I would be in for, but I never had one regret about writing “A Good Dog.” Isn’t that the very idea of the book, exploring a subject like that, bringing it into the open? I never once flinched at myself in the mirror. And I did learn this: it is not about what others think, it is about what I think. That was a life changer. I never feared the mob again.

Thanks, Orson, for that. You are a spirit dog, you come for a reason, you leave when your work is done.

The publication of  “A Good Dog” was the first mob I had ever stood up to, there is something awful and yet exhilarating about that. I went on a book tour to promote that book and went all over the country. I was praised everywhere, in reviews, at my readings. It was disorienting to have written a book so many people loved and hated. Not one of the outraged people attacking me ever showed up to meet me or look me in the eye. We know now how easy it is to hate behind a computer keyboard. It is both real and an illusion.

Orson’s death helped define me and understand who I really was. And I liked who I really was. I never thought of myself as a person who would risk much to tell the truth, I knew after that that I was such a person. And that I could tell the truth, and would always try. I might mislead or misunderstand myself, but I would never knowingly lie again.

Before Orson, it seemed terrifying and  unimaginable. Once you stand in your truth, I don’t think  you can ever go back, and that is Orson’s final gift to me. I stopped being afraid to tell my truth, I took the painful first baby steps – and then big ones –  towards honesty. I can hardly explain how good it felt. It will never bring me a perfect life, but it has brought me a life of meaning and fulfillment.

And think of this dog. Nothing in my life is the same as it was when he entered it.

My heart fills when I think of this story, a portrait of my soul. The great thing about honesty is that there is nothing to fear, nothing to hide. My journey with Orson showed me what it really means to be authentic. To look in the mirror of your life, and be comfortable with what you see.

I will never be perfect, I hope to be complete.

26 October

Community: Can You Help With Feedback For Rachel’s New Adult Alphabet Book?

by Jon Katz
Layout
Rachel Barlow is an author, illustrator and student of mine, she is getting to work on a new book idea – an illustrated cartoon alphabet book for adults (about children and other things). She is just getting started on it and send me this initial layout asking for feedback. I thought I might surprise her and put the layout up on the blog and offer all of you the chance to offer her feedback on the new book. She says the border on page two (on the right) is made up of car keys and earbuds and she plans to make it bigger.

I love the idea, the illustrations and the words. I wouldn’t change a thing. I think it’s a great start. If you would be so kind and thoughtful as to offer her your own feedback, it would be appreciated.

We are forming new kinds of communities in the digital world, they can be helpful, supportive and encouraging. You are welcome to join in this new interactive way in which readers can participate in the work of writers in a helpful way. You can e-mail Rachel at [email protected] or you can reach her at her increasingly popular blog.

Let her know what you think. Rachel listens. And one day soon, you’ll be able to read this neat book and see how it all turned out.

Thanks. We are building a new world together in a new way. Cable news and angry political blogs aren’t the only way to communicate online. The outside world hasn’t quite figured out yet how not to be mean and hurtful. We are making our own start.

26 October

The Last Pansy

by Jon Katz
The Last Pansy
The Last Pansy

The last pansy sits defiantly in the moss hanging basket on the porch, she is surrounded by the shells and husks of dead flowers, but she still seeks water, grow and shines. Perhaps we will give her a home inside, perhaps she will keep us company in the approaching winter. Something defiant about her, something I admire.

26 October

Joy Dog In The Woods

by Jon Katz
Joy Dog In The Woods
Joy Dog In The Woods

We call Fate the Joy Dog now. We were explaining to some new friends over the dinner the other night how drained we were at the end of last winter. Simon, Frieda and Lenore had all died within a few months of each other, and the farm and the animals struggled through one of the worst cold weather periods in recent history. Our frost-free water line froze and the animals, surrounded by ice and snow, began eating the barn.

Storm after storm, cold  days and nights. Then came Fate, courtesy of the remarkable human being Dr. Karen Thompson, one of the best breeders of border collies I have ever known,  and one of the most honest and loving human beings. I called Fate a lot of names at first, but then we settled on the Joy Dog, she brings so much enthusiasm and spirit to life, that we saw it was just what we needed. And as you know, I believe we get the dogs we need, they often sense what we need them to be.

Fate brings a joy to life wherever she goes, it is evident working with her and the sheep, playing with her in the yard, walking with her on country roads, and also watching her dash through the deep woods, which she loves, bobbing and weaving among the trees, circling in wider and wider turns before coming back to us and bursting out onto the road.

I had a big lens with me this morning and  caught her sailing through the forest, seeming to fly rather than run. She slept in Maria’s studio for awhile, then I took her out briefly to work on her outruns around the sheep. She has finally keeled over and is sleeping by my feet. Fate is a mystical dog, she has come to awaken us after the winter and remind us to love our life. Also that life and death are not different things, but the same thing in so many ways. After darkness, light, after death, life.

26 October

Fate’s Meadow: May I?

by Jon Katz
Meadow Dog
Meadow Dog

Every morning, we approach  Fate’s meadow on our walk. She walks up the rise, she always turns and looks back at us, as if seeking permission. We say nothing, or nod, and she takes off into the meadow. You had your chance to stop me, she says, I’m off now. The meadow is a poem, I think, a reverie, perhaps one of the spiritual homes of dogs.

I think there is much mysticism surrounding dogs, I want to wrote about it more. The meadow is a mystical dog place, I think the spirits of departed dogs live there, they run with Fate.

Fate vanishes over the rise, if I look closely, I can see her running freely and joyously through the grass, popping up there, here. I am beginning to think she has a dog lover out there, she seems so happy running through the tall grass, listening carefully for the squeal of chipmunks and the rustle of rabbits.

Or may it is the spirits of the dogs who have passed.

May I?, she asks. Of course, of course. It is a gift to see such a joyous spirit running  free.

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