I’ve learned that infrared photography works best for me when I am not shooting into the sun, but with the sun behind me. The camera picks up some color, here some yellow and some green and there seems to be a “hush” around the barn, a sense of quiet reflection. There is an integrity to the camera, it shows light as it truly is, not as we would like to think it is.
7
July
Yellow Barn: The Unseen World
by Jon Katz