11 May

Look Who’s Walking! The Boots Are Off.

by Jon Katz

I’m happy to report that Dr. Daly finally ok’d my burning the surgical boots I’ve been wearing on and off for a couple of years and wearing my regular shoes with a brace for the left leg.

I enjoy wearing my regular jeans again and putting my left foot into a shoe. The photo above shows me walking without support or surgical boots for the first time in a couple of years.

I’m hanging on to the werewolf cane; you never know.

We were jubilant; no more daily bandaid and anti-biotic treatments for my toe, which is no longer with us. The boots wreaked havoc on my back and legs; the brace doesn’t bother me, which I suppose is the idea.

No more hobbling around on the boot. I’m just walking around with Zinnia, which should not be a big deal (sound familiar), but it is somehow.

I just got off the phone with Saratoga Hospital, and they asked me to be at the surgery center early in the morning.

No food or drink after midnight, only one medication allowed, and no wedding ring, necklace, or metal. I will be in sweatpants and then in a hospital robe and anesthetized while some powerful machine blasts my single kidney stone with sound waves.

The doctor says it’s 75 percent successful. I like the odds.

The nurses say there will be some pain and discomfort following the surgery; There are not nearly as many emotional issues as there were surrounding my toe amputation, but surgeries are surgeries,  and hospitals are hospitals.

Neither of them are meant to be fun.

At least I won’t need a walker to get into my house.

Our visit to Dr. Daly’s office will be the last one for a month, and there was a great sense of celebration of having come to the end of something that went on for a long time and challenged all of us in many ways.

I brought an Amish pie, along with cookies and fudge. The nurses were happy. We made some friends there and had some real fun. I love the cookies. We never stopped laughing together, we all know that life can sometimes be ridiculous.

I even got some hugs on the way out.  I’ll be back, I said, you haven’t seen the last of me. I’m a great admirer of nurses and school teachers. They are both essential to our lives and are overworked and underpaid.

I hope the particular chapter and experience are over. We’ll see. I’ll be seeing Dr. Daly for a long time, if not forever.

In the meantime, surgery is early in the morning. We are prepared for anything but normalcy. I’ll be in touch when it’s possible and wake I wake up from the anesthesia.

We’re still a little dazed from the last surgery but recovering quickly. It’s not a crisis. It’s life.

16 March

A Wonderful Artist Named Jared Soars At Bishop Gibbons. Re-Imagining Indiana Jones And The Fashion Culture With Legos

by Jon Katz

Jared is a gracious, shy, and gifted art student in Sue Silverstein’s excellent Bishop Gibbons High School art program. He has a dry sense of humor and is quiet and soft-spoken. He came to Sue and said he had an idea for a different photo assignment than the one given. Sue has been singing his praises to me all semester.

He said he wanted to “build his sets” and do a kind of spoof showing an Indiana Jones leggo character against the background of the fashion culture. Sue told him to proceed, as always, when students showed initiative. He wanted to know if it was okay to “build the sets” and do something different. Sure, said Sue, go for it.

The result is a brilliant take on vintage fashion photography, using Indiana Jones in full costume as told with Lego buildings and figures.

This is a strikingly original work; I thank Sue for permitting and recognizing it. The assignment was to take photos of people dressing up in vintage clothes. It was a fashion photo project.

Jared took this idea and made it his own astonishingly unique way.

For me, the Legos are fun but the least of it. This was a photo contest, and his photography is excellent. What Sue saw and what I see is a young artist savvy and imaginative enough to see how to connect his Legos to a fashion project, using his Legos to make the point.

Everyone else was using fashion people as models and dressing them up for photographs/ Jared used Legos, a unique and original idea. He then made these great sets (even spoofing Edward Hopper’s diner paintings).

He decided to use the fashion of Indiana Jones – a fashion genre, especially with the hats and other Jones clothes.

He took the idea further by re-creating Lego a fashion backdrop much like the ones in magazines. He put all of this into an art category, a wise and very creative impulse. He capped it all off by taking terrific photographs, clear in detail and rich in color and atmosphere.

The whole package was great, every part of it, from inception to execution. Just think of the work and thought it took. It has a very artistic feeling, we get what he is doing, but we never expected to see it through Legos.

I would have been proud to have taken any one of them. I’ll find out more about Jared, but I believe this is the first art class like this that he has ever taken. Sue spotted his talent immediately and gave him a lot of space to grow and experiment. He took it and ran. Next week, I’ll be proud to take his portrait.

Think what he can do with my Werewolf Cane.

Thanks, Sue, for alerting me to this.  It’s exciting. Your art program is one of the most innovative things I’ve ever seen in any school I’ve been in.  You are reaching these children in a new way.

You are pulling gold out of them and changing their lives. I need to say again that none of this would be possible without the support of the Army of Good and the wonderful people who have been shipping all kinds of art supplies that are making this possible. Thanks to you all as well.

 

 

Jared’s photos have a particular cultural awareness; using Indiana Jones to make his point was dry and sly. Jared had a vision for those projects and wasn’t afraid to deviate from the original instructions.

He also has a teacher who is not scared to let him deviate. I doubt he will forget this opportunity. He’s good. There is something deep inside of him.

The idea of Leggo Art is not new to me, but this is a beautiful and timely example. I love the point he is trying to make and the way he made it. Just look at those backgrounds.

 

I was blown away by the imagination, vision, and creativity I saw in Jared’s work. He was pleased I liked his work. I’ll so my best to ensure he knows how good this is.

I’m going to meet with him and interview him when I go to Bishop Gibbons next week.

Sue says he is very interested in photography, so I ordered three books for him as a surprise; they will arrive Monday.

One is a book called Black, a collection of photographs dealing with black culture; the second is the Beginner’s Photography Guide; and the third is Gordon Parks, How The Photographer Captured Black and White America.

This was a beautiful example of how a great teacher and an excellent art program draw fantastic work out of young people who have never seen themselves as gifted artists or been allowed to experiment.

I suspect some still consider creative careers. Sue finds the best in her students everywhere she goes and lights the Creative Spark.

I’m impressed. This is first-rate stuff.

7 March

Good Morning From The Sun Dog: A Medical Maintenance Day

by Jon Katz

If Zinnia is the Snow Dog, Bud is the Sun Dog. He will find the smallest slice of snow and doze in its warmth. Wherever he is, the sun is nearby.

Today is what I call a Medical Maintenance day. Covid complicated my life a few months ago; my weakened immune system has surrendered to a string of bugs and viruses. This should go away in a few months; in the meantime, more check-ups and some tests.

I have appointments today and tomorrow.

Thursday, Maria and I are going out for one of our one-day getaways at the Vermont Inn, where we had our honeymoon. We love the inn, and we have no trouble relaxing there.

We’ll leave around lunchtime Thursday and be back around lunchtime Friday. It isn’t easy to imagine leaving the farm for a real vacation. We did it once and regretted it. These quick-hit getaways work for us.

I’ll be going what Bud is doing in the photo above – nothing.) My werewolf cane is coming this week; I hope it gets her in time for our getaway.

I don’t blog on these trips; we walk, talk, eat and read. No devices. It’s only a day, but it is somehow invigorating.

(Photo above by Maria Wulf

3 March

Portrait: People I Like And Admire: A Very Young Katy Cummings Becomes The Boss Of A Country Food Co-Op

by Jon Katz

I was thrilled to learn that our friend Katy Cummings, a 26-year-old relative newcomer to our town, has been promoted to manager of our small but vigorous food Co-Op. After the pandemic, a small but influential wave of young people returned to the country, finding urban and suburban lives too expensive,  hostile, chaotic, and unpleasant.

They are making this small and struggling town a better place every day.

We have benefited from the new food cars and cafes they’ve created and opened and people like Katy, who transitioned from assistant to manager in a couple of months without a bump or stumble.

Perhaps it’s my age, but I get a great boost from seeing young people with brains, energy, and creativity prosper. Bitching about young people today is one of the landmark signs of Old Fartism. The young people I am meeting are remarkable.

Katy calls herself a Jersey Girl – she lived there for a while – and we connected instantly. In high school, I was a Jersey Guy. We like to see ourselves as hardy and tough; Katy is all that; she also has a big heart and a cheerful and optimistic soul. I’ve never heard her complain about anything, although I imagine she does at home.

She is a natural multi-tasker and decision-maker; there’s plenty of steel in there, too, if she needs it. She probably will.

She is 26 years old.

I was a manager and boss at several newspapers and CBS News. I was in charge of many people.

It took me years to get the confidence and poise Katy arrived with. And even then, it was too much for me. I fled being a bit shot for book writing; I needed to work for myself.

It is a joy to see young people like Katy take off. She even came with a boyfriend who works at a famous museum in Vermont. We had a great time at dinner with them here at the farm.

When I first moved here, I thought working at a food co-op or running one was funky and soft, a kind of woo-woo thing to do.

I was wrong.

I’ve had several friends work at the co-op, and a few take on Katy’s job. Several had a very rough time.

It is not easy; it is complicated and often political; it requires keeping track of thousands of different food-related items, training and cosseting grumpy and sometimes unpredictable volunteers (Maria and I are volunteers), dealing with a demanding and fickle public, and navigating a board of directors that has, in the past, been known for being complex and demanding.

I don’t know them now.

It’s a tough job, and it’s essential. This is the only nearby place selling healthy, fresh, exciting food. Since the co-op was renovated a year ago, I rarely need to go to a supermarket stuffed to the gills with processed food and things I can’t eat. More and more local people are coming to the co-op and liking it.

I greatly admire the way Katy handles herself, especially at her age. There is nothing tender about her and nothing angry or mean. Maria laughs that when we go shopping at the co-op, she just assumes I will be yakking with Katy for a good long time (as she does with her many friends wherever we go.)

Katy is poised, fun, and steely when she needs to be. It is a pleasure to take her portrait, and she brightens the co-op in many ways. We have a blast together. She is keen on seeing my werewolf cane, which is coming from England sometime next week. She thinks it’s fantastic.

I like to think I’ve supported her, but the truth is she helps me.

Katy gets me, and I can’t lie and say there are all that many people who do.

The portraits never lie – you can see what Katy is in this photo, radiant, enthusiastic, and full of hope and goodwill. If I focus on people I like and admire, the camera will always do the rest.

The returning kids are lighting up the town; may they stay forever. These are the kids who had to live to find good work elsewhere. Now they are the kids doing a good job that will keep them here. It’s a beautiful story.

 

24 February

To Know How To Grow Old Is The Master Work Of Wisdom, The Tough And Wonderful Art Of Living

by Jon Katz

“To know how to grow old,” wrote Swiss Philosopher Henri Frederick Amiel, “is the masterwork of wisdom and one of the most difficult chapters in the great art of living.”

Amen to that. It’s also one of my life’s most exciting and valuable chapters. I’ve got a different kind of life to build and to change.

Life changes in the later years of life; the changes come rapidly, without warning or permission, whether we want them to or not.

How I respond to these changes will be my legacy and define the remainder of my life and perhaps Maria’s as well.

The insurance actuaries say I can no longer qualify for life insurance; I’m too old; the odds are that I have between five and ten years to live (a bit less than that, given that I have heart disease and diabetes).

This is a time of loss and gains for me.

I found that many relationships have disappeared – some due to death, relocation, illness or decline, retirement, or fatigue.

The loss of people and many activities that informed my life is important but not the real issue. This is a challenging time; it is not an easy time. And there is no one to tell me what to do or what I can do.

It’s on me.

I choose to see this time as my last significant period of human growth. Loss is only one part of it.

This is the final mountain of adjustment: new ideas,  continuous change, my last chance for the spiritual development I’ve sought all my life – the last opportunity to be the person I always wanted to be.

The mystics and spiritual philosophers say it will take every bit of my mind, energy, and strength to believe in the holiness of the universe or my life and longings.

Some can stay and die at home – my intention – some no longer have that luxury.

Older people often get sick, and people who get sick are just a click away from losing control of their lives.

So far, aging has been the continuation of my life, the one I chose, the one I want, the one I love.

I see people all the time my age, younger and older,  who don’t have that choice or who give it up, who waited too long,  were too frightened, too poor, or who chose to be a slave to money instead.

Life is a roll of the dice. But we are the ones tossing them on the table.

The first thing to go was my life in New Jersey, and the second was a 26-book career as an author, a lifelong dream.

Next, my friends, and finally, my family, all of my money, which I gave away. Everything familiar was gone.

Other things began to go – my robust health, my friends,  my mind, the stores and shops I knew, the context of life around me that I  knew, then a dog, then another, then my best friend,  then a cat, newspapers, my favorite mechanisms of many years, my social life, my history.

The odd revelation was that as I got older, fewer and fewer people thought of me, saw me, or kept me in their lives.

If you’re not careful, you can become invisible when you age. Our culture is just like that; it’s the way it is. We don’t exist anymore for millions and millions of people.

And then pieces of the self, small ones, primarily physical ones. My interior self, brain, heart, soul, and nature, feel the same. My short-term memory got fuzzier. I sometimes can’t remember people’s names. I’m hanging on to them until the end.

My Dyslexia is no longer such a significant factor in how I see the world. My age is more important.

My writing and my photography have kept me focused and thinking and are challenging me. So has my life with Maria, the love of my life.

The person I always knew myself to be is also changing; it sometimes feels in danger of going away also, as I see the world differently and view time in a new way.

I am running out of time; every day on my farm is precious. I am less patient than I want to be.

Seeing people waste their lives is painful; I know what it will cost them.

I have an edge and temper that is harder to control; I work to keep my frown from being permanent, and my smile from turning tense. For the first time in my life, the end is close. I can reach out and touch it.

That’s a game-changer.

I have many new things in my life, which replace most of the old ones and fill up my heart.

My best friend is also my wife; that is something new, as is her love for me. I feel as if I’m enriching my life, not losing it.

My photography is something new. My life on a farm with donkeys, barn cats, sheep, and dogs is new. My blog is something new. My work with the Mansion residents and the refugee children is new. My love of nature deepens every day.

My love of flowers and my raised garden beds are new. I’m getting a werewolf cane. Life is what you make of it.

I don’t have a lot of friends and don’t want a lot of friends. I want to be a friend unto myself.

I’m at peace with where I am and who I am with. I have zero tolerance for people telling me what to do and how to live or write.

I don’t miss the things I’ve lost, and I don’t dwell in the past or engage in “old talk,” the self-deprecating language of the elderly.

Life is a choice. I can mourn what I’ve lost or celebrate what I’ve gained.

There is no such thing as failing to recognize, cope with, or accept this chapter of life.

At this stage of life, I am finally free to experiment, to be authentic, and to write and think what I please, not what other people want.

As always, I have to fight for that. As always, I will.

Pouting, blaming others, and complaining about my life can solve nothing and only add to my pain and struggle. The same goes for arguing with strangers or hating people different from me.

Here’s the truth about aging for me: there is nothing more important than dealing honestly and well with the changes that come with age. These new skills will be the ones that take me to the end.

My blog has given me a voice to explore this all out loud. I will take advantage of that opportunity. I can be honest there. I am learning to be authentic and have fewer people to please than ever before.

That will keep love in my life. That will inspire me to die well and have a say in my death.

The happiness of these years depends on this, and so far, so good. I am happier than I ever imagined, wiser than ever, and my life is full of meaning and goodness.

I am responsible for my life, not the doctors, politicians, or the young. If I want to be ready to live my life fully and in the spirit of love, then I will have to do it myself.

I reject the blame game; I refuse to speak poorly of my life.

I see that I will be the one who writes the history of my life. It’s a good task for a writer. It’s never too early to start.

That is a beautiful thing when I think about it.

I embrace Joan Chittister’s call for aging well:

A burden of these years is that we must consciously decide how we will live, what kind of person we will become now, what type of personality and spirituality we will bring into every group, and how alive we intend to be.

A blessing of these years is being able to live so open-heartedly and to adjust so well that others can look to us and see what being old can bring about life, holiness, and goodness to make the world new again.

I’m in. Please join me. Welcome to my new life.

Bedlam Farm